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This has been a busy month for performances, and I was overjoyed to have several of my own works programmed this October. On the second of the month, the TEMPO Ensemble at California State University, Northridge, performed my Pierrot piece Tarot Teller, which was inspired by Nathaniel Mackey’s poem from Eroding Witness. A video of the performance can be viewed here: Tarot Teller.
On my thirty-fifth birthday, I had the pleasure of curating the first Composers’ Series concert of the year at New England Conservatory. Anna Kevelson and Erika Rohrberg gave a stunning performance of my piece for two flutes, l’averse. Also on the program were works by Felicia Sandler, John Heiss, Lavell Blackwell, Robert Cogan, and Stratis Minakakis. All in all, it was a fantastic night for new music in NEC’s historic Jordan Hall.



Then on Monday night at 8pm Transient Canvas is premiering my new piece “Ratyll,” commissioned by them as part of my 2021 Transient Canvas Fellowship, at Tufts University at 8pm. It was such a joy to collaborate with Amy and Matt on this piece last year, and I can’t wait to hear them play it in Distler on a bill that also features Verdant Vibes and a killer lineup of composers that I admire: Kirsten Volness, Kareem Roustom, Mikhail Johnson, and Brittany Green.